By Arthur Rimbaud
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Additional resources for Arthur Rimbaud: Intégrale des œuvres
Reader and author are implicated in the very crimes being condemned. The contrast between Cortázar and Lamborghini demonstrates that, if there is a typical case of the relationship between literature and exile, Argentina is not it. Exile is a constant spectre for those writing in Argentina; political exile is a frequent condition of writing, yet writers perceive and trace many models of exile. In many cases this is far from the positive and productive model of exile as a privileged site of intellectual commitment.
Indd 17 05/05/2011 10:08 18 Modern Argentine Poetry Osvaldo Lamborghini’s use of the same case, in poems written in the early 1980s from his Spanish (quasi-)exile, gives a radically different model of political poetry. Lamborghini’s piece ‘Esto sí que es tragarse la bala’, written while the poet was resident in Barcelona in the 1980s, provides an important contrast to Cortázar’s version of the committed poet in exile. Esto sí que es tragarse la bala. Con brutal desempeño malditas visitas Llegaron los contras, desquiciaron la aldea completa.
Nothing to lasso. They raped my woman, they fucked her in the arse. She was a peach, I won her off a darky with a set of, let’s not be fussy, bent dice. The contras came, they destroyed the whole village. 18 However, Lamborghini undercuts the thematic focus of politically committed poetry by introducing international border-crossing elements from the conflict and mixing in elements of the gauchesco. Initially, Lamborghini details crimes in the Nicaraguan Sandinista–Contra conflict. indd 19 05/05/2011 10:08 20 Modern Argentine Poetry from, for example, newspaper interviews, while the details are consistent with events from the conflict, even the mention of the miskita, an indigenous group from Central America, one of the sectors whose lack of adherence to the Sandinista project created important weaknesses in the Nicaraguan revolution.